Friday 28 February 2020
Dr Peter Rating – Experience: 4/5
Dr Peter Rating – Wines: 4.5/5
My (new) wife told me after breakfast that she had a lunchtime business networking meeting at Perdeberg Winery. “Do I want to come with? You could do some wine-tasting”, she said. I did not need a lot of persuasion. I had been to Perdeberg before, nearly 2 years ago, for the annual Pinotage and Biltong Festival which returns for its 6th edition on 18-19 April. I had not tasted the Perdeberg wines, so this was too good an opportunity to miss.
Perdeberg lies some 10 kilometres to the North West of Paarl amid dry rolling wheat land. I well remember the large cellar building that is a legacy of the former co-operative winery. It was built in 1942 by Jan Roussow so that the local wine growers could gain best prices for their high-quality grapes. It is this kind of innovation that has become a tradition at Perdeberg. It was the second cellar in South Africa to introduce cold fermentation in 1956, the first winery in the region to employ from 2010 a full-time viticulturalist and, recently, to use aerial infra-red photography for the extensive vineyards.
The sun shone brightly as I sought a shady space to park. Inside, the Tasting Room offered a relaxed environment. There were relatively few guests for a Friday lunchtime but, I suspect, most were enjoying the new East@Perdeberg Restaurant upstairs. Des was my attentive and efficient host. The room was simple rather than opulent, functional rather than expansive and with wine and associated product displays on surrounding shelving against bare brick walls. The tasteful decoration in black, white and red perfectly matched the Perdeberg ethos of doing simple things well. The tasting offer was 5 wines for R50 from a selection of almost 30 wines. These were divided into 3 main collections (the iconic Speciality Range (2 wines) and the easy-drinking fruit-driven Soft Smooth Range (3 wines) were not available for tasting): the Dryland Collection, from selected grapes of dryland vineyards that showcase their terroir and made in the New World style; the single variety Vineyard Collection made from specific vineyards chosen for their combination of cultivar and terroir; and the Classic Collection of elegant fruity wines that can be drunk with or without food.
Choosing just 5 wines was a challenge and especially so when the choice included less common varieties such as Grenache Blanc, Cinsault and Malbec. Fortunately for me and knowing my interest in wine, Des was generous in allowing me to taste a wide selection. I began with a side-by-side comparison of bush vine Chenins Blanc from the Dryland Collection. Both the wines were a shiny pale lemon in colour with distinctive Chenin Blanc aromas of ripe lemon and lime citrus, tropical mango and pineapple, with an undertone of fresh herbs. The unwooded ‘Braveheart’ was crisp on the palate and fresh despite its 2015 vintage with medium+ acidity and a rounded feel at the average finish. I just preferred the 9-month French oak, barrel-fermented ‘Courageous’ that cost just R10 more. The nose was fuller and more concentrated to show a more honeyed, sweeter character together with nectarine stone fruits. The intensity of aroma followed through to the palate that was predictable more rounded, softer and with better integrated acidity. The 2 wines made an excellent start to the tasting and of excellent value for money (R100 and R110 only).
I opted for the Vineyard Collection Sauvignon Blanc next, but Des was keen for me to taste and compare with the ‘Expression’ sibling from the Dryland Collection. Their appearance was comparable, with the ‘Expression’ being a slightly deeper pale lemon in colour. The Vineyard wine was made in green style and dominated on the nose by bell pepper and grassy, herbaceous notes that developed in the glass to include lime and tropical fruits. The bright acidity on the palate led to a slight bitter finish but this was nonetheless a decent example of a warm region Sauvignon Blanc, again great value for money (R70). I much preferred the ‘Expression’ wine from the Dryland Collection. Sporting a cork rather than screwcap closure, the Sauvignon Blanc unusually was matured for 18 months in old French oak barrels with lees contact. This was very different wine albeit with the same herbaceous and green pepper aromas. These were toned down and layered with notes of sweet lemon, gooseberry, tropical fruits and vanilla. The texture was more rounded and the balance better with an integrated acidity and well worth the extra R30.
The last 2 white wines I tasted were a Grenache Blanc and a white blend called Roussow’s Heritage. Grown in just 0.14% of South Africa’s vineyards, the rare Grenache Blanc is commonly found in Rhône white blends. It is suited to dry conditions and I expect to see more wines in the future (Anysbos, for example, in Bot Rivier has recently planted). The wine, now in its second year of production, showed a medium+ fruity intensity of fresh stone fruits of peach, nectarine and lemon citrus. I detected slight notes of vanilla and white pepper to suggest a modest use of oak in maturation. Surprisingly, the intensity on the nose weakened on the palate. The acidity was firm with just the edge of sharpness rounded off (also suggesting some use of oak) to make for a clean mouthfeel. The wine makes a pleasant alternative to Sauvignon Blanc and was again excellent value at R75, when premium pricing for a rare cultivar might be expected.
The Roussow’s Heritage of the same 2019 vintage was a Chenin Blanc-led blend (59%). Des did not know the percentages of the 5 cultivars of this Southern Rhône-style white blend, but the website does not show it either. This was my favourite wine with an inviting, medium+ intensity nose that combined the honeyed tropical fruits from the Chenin Blanc and the herbaceous grassy aromas of Sauvignon Blanc together with delicate white stone fruits and blossom. The flavour intensity held up much better on the palate than for the Grenache Blanc with an elegant, rounded texture and a decent finish.
Perdeberg lies between Durbanville and Malmesbury in the Agter Paarl region. The extensive vineyards total a sizeable 2,564 hectares out of the 6,000-hectare owned property, a reflection of the former co-operative winery era. The vineyards, on varied soils, are largely un-irrigated to give concentrated fruits that benefit from cooling sea breezes during ripening. Most of the wine that is produced is red (60%) made from the Cabernet Sauvignon, Merlot, Cinsault, Pinotage and Shiraz grown in the Perdeberg vineyards. White cultivars include Chenin Blanc, Chardonnay and Chenin Blanc and hence most wines are Wine of Origin Paarl, with some Wine of Origin Coastal Region among the red wines.
Lesser known Cinsault and Malbec were the first red wines I tasted. The 2 wines were from the Vineyard Collection, of 2018 vintage. 14% alcohol and priced a very affordable R85. The pale ruby Cinsault was a more representative example of the variety than the Waverley Hills wine I recently tasted. The wine showed classic red strawberry and raspberry fruits of bold intensity in the glass with a beautiful balancing violet floral character so typical of the cultivar. The fruitiness weakened a little in the mouth but were finely balanced by a fresh acidity and light tannins to give a youthful but not overworked wine. The Malbec was also youthful but typical of the grape with a deep ruby-purple colour with delicious, luscious red and dark fruity aromas of red and dark berries, cherry and plum. Dry oaky tannins emerged on the palate to give structure to balance the ripe fruits. The Malbec is a great food wine and improve with age as the tannins soften and integrate.
Des was not letting me taste single wines and so I sampled Pinotage and Shiraz from both the Vineyard and Dryland collections side by side. I rated the Dryland ‘Resolve’ Pinotage higher than the Vineyard wine. The 2 wines showed characteristic plush ripe, more dark than red fruits of cherry, plum, mulberry, prune and estery banana on the nose. Whilst the Vineyard Pinotage was lighter on the palate than I expected, the Dryland ‘Resolve’ showed added pepper spice for a more concentrated nose. This intensity carried through to the full-bodied palate with tight tannins that showed its youth (2017 vintage).
I ended the tasting – I could have sampled the Cabernets Sauvignon, Joseph’s Legacy red blend and Longevity Natural Sweet Chenin Blanc and more – with Shiraz, again from 2 collections. I scored both the same although they were different in style. Classic spicy, dark fruits of cassis, cherries, mulberry and blackberry notes hid underlying aromas of black pepper and liquorice on the nose. The Vineyard wine was fresh fruity, with a soft candy/ester Pinotage tinge, and of more delicate style hence, I imagine, the Rhône-shaped bottle. By contrast, the ‘Tenacious’ from the Dryland Collection showed greater focus and concentration of ripe fruits so typical of the outstanding 2015 vintage. The Bordeaux bottle nodded to a bigger style of wine with riper, fuller tannins that will soften with age.
Perdeberg offered an excellent range of, mostly, single variety wines and so much more than the Chenins Blanc for which the winery is known. I could have tasted or bought sparkling MCC Chenin Blanc and Rosé, Cinsault Rosé, Pinot Noir/Chardonnay blanc de noir, dessert Chenin Blanc and more. I was especially impressed by the rare cultivar wines in the collections together with the same variety made in different unwooded and wooded styles. I liked the distinctive shield-shaped label on the Vineyard Collection labels that gave a modern yet classic feel. So too did Merlot the mascot zebra, complete with own blog (!)(albeit the website link did not load), that gives a nod both to the historic wild zebra and quagga that once roamed the Paardeberg mountains and roamed the early vineyards and also to current conservation measures to preserve endangered fauna and flora. Perdeberg has clearly come a long way from its historic co-operative beginnings to produce some excellent, well-made wines. These were served at the right temperature (not always guaranteed, even at the most prestigious wine estates) and with minimum fuss. The wines offer superb value for money and I highly recommend a visit for tasting and to buy wine. Perdeberg has indeed ‘earned its stripes’!
Wines tasted (bought *):
2015 Dryland Collection ‘Braveheart’ Chenin Blanc – R100
2018 Dryland Collection ‘Courageous’ Chenin Blanc – R110
2019 Vineyard Collection Sauvignon Blanc – R70
2016 Dryland Collection ‘Expression’ Sauvignon Blanc – R100*
2019 Vineyard Collection Grenache Blanc – R75*
2019 Dryland Collection Roussow’s Heritage (Chenin Blanc, Roussanne, Viognier, Clairette, Sauvignon Blanc) – R130* FAVOURITE WINE
2018 Vineyard Collection Cinsault – R85*
2018 Vineyard Collection Malbec – R85*
2018 Vineyard Collection Pinotage – R80
2017 Dryland Collection ‘Resolve’ Pinotage R120
2018 Vineyard Collection Shiraz – R80
2015 Dryland Collection ‘Tenacious’ Shiraz – R120
DE KRANS WINES
Thursday 26 December 2019
Dr Peter Rating – Experience: 4/5
Dr Peter Rating – Wines: 4/5
Visiting De Krans was a spur of the moment decision. Calitzdorp was the night stop for the second day of my trip down Route 62. I did not know where else I was going other than Route 62. The trip to Jeffrey’s Bay had been a ‘bucket list’ ambition for several years. Even better if I could sneak in some wine tastings along the way. It being the Xmas/New Year period and close to harvest this was perhaps easier said than done. Thus, late on Boxing Day afternoon, I found myself on the edge of Calitzdorp village some 400 miles from Cape Town on the Western edge of the Klein Karoo. Best known as one of the important Cape Port producers in this hot semi-arid inland region, I was looking forward also to tasting some wines. If my memory serves me right, the Tritonia red blend was a previous Best Non-Bordeaux Red Blend winner at the 2017 Old Mutual Awards.
I parked in the shade beside the road a short distance away from the main entrance. The small white painted Tasting Room nestles beside the vineyards with shaded outdoor seating spilling over from the inside. The vines were heavy with grapes with long stems and V-shaped trellising to raise them above the ground. I learned after that these were Hanepoot, for public picking in February when ripe, and not for winemaking. The Tasting Room was busy – I sensed mostly with local guests – who were enjoying their wines and a light lunch from the Deli or Bistro. Xmas carols played through the Tasting Room speakers which, as a Brit used to chilly Xmases, still seems weird.
Wine tasting was a very affordable R40 for 6 wines (waived on bottle purchase). I ordered a cheese platter (R125) that was large enough to share with my fiancée. It was made up with bread and toast, 4 small cheese portions and a choice of 3 sides. Choosing 6 wines was quite a challenge given the number of and range of wines and styles available. It was good to share different tastings with my partner which made the choice a little easier. De Krans wines essentially fall into 3 groupings: Sparkling (MCC and Moscato Perlé); white, rosé and red table wines; and fortified and Port-style wines.
I sampled as broad a range as I could, beginning with the Tritonia White from the Flagship Terroir Range. Made from 70-year old Malvasia Rei (Palomino) and Verdelho, the two wines were blended after 4 months each on the lees with 15 months of barrel fermentation. The wine was served from a tall, heavy bottle and needed cooling to have been at its best (it was over 30ºC outdoors). Pale lemon in colour, the nose showed a mix of green and citrus notes – lemon, lime, lemongrass, green herbs and a mineral saltiness – that were simpler on the palate, showing vanilla flavours from the oak, with a medium+ acidity. This was my favourite wine.
Next was the Free Run Chenin Blanc from the entry Classic Range. The R58 price showed. Whilst it was an obvious Chenin Blanc with fresh aromas of tropical guava, ripe lemon and mango, the intensity was modest. This was matched on the palate that was dry with more citrus flavours and a short finish.
I was excited to taste a Pinot Noir that was made using grapes grown in the foothills of the Outeniqua Mountains, hence the Garden Route name and Wine of Origin Outeniqua. Pale garnet in colour and showing some signs of ageing from the 2016 vintage, the wine showed an uncharacteristic ripeness of jammy red plum, redcurrant and black cherry on the nose with slight pepper spiciness. I might have bought the wine until I tasted it. I was reminded how few Pinot Noir do well away from a cool climate. Almost certainly better had the wine been chilled, it needed more depth, layering of flavour, bite and length. I sensed the fruits had already tailed off as it had aged in the bottle.
I much preferred the more robust Tinta Roriz from the Terroir Range. The first of the red Portuguese varieties I tasted, the wine was an inky deep purple in colour. There was an intensity of aroma that contrasted with the Pinot Noir – port-like and oxidised – with ripe black cherry, dark plum, cassis, ripe blueberry and herbs. These gave way to dry, earthy, dusty and chewy tannins on the palate to balance the 13.0% alcohol and medium length.
I rated the Touriga Nacional almost the same. The variety was first planted in 1994 and made into a single variety wine in 2000 aided by the continental climate and shallow clay Karoo soils that are not unlike the hot, dry Douro Valley in Portugal. The wine was similar in colour with ripe red as well as black fruits, including cassis and bramble to match an earthy spicy clove and cinnamon nose (no doubt from 12 months maturation in 3rd/4th fill French oak barrels). This was a definite food wine with firm drying, earthy tannins, though the 13.5% alcohol appeared less than expected, that filled the mouth and offered a medium+ finish.
De Krans dates back to 1890 when it was bought by the Nel family. The 78-hectare estate remains family owned. Chris and brother Danie built the Cellar that is behind the Tasting Room in 1964. Chris planted the first Portuguese grapes in 1973 albeit unintentionally. There’s a parallel here to Carmenère and Merlot in Chile where supposed imported Merlot turned out to be Carmenère. The intended Shiraz that was planted in 1973 turned out in 1976 to be Tinta Barocca when the first grapes were produced. Further Portuguese varieties have been planted since 1985. Today, De Krans has 45 hectares under vine – there are peaches, apricots and the Hanepoot too – with Chardonnay, Chenin Blanc, Muscat, Cabernet Sauvignon together with the Port-producing varieties of Touriga National, Tinta Barocca, Tinta Roriz, Tinta Amarella and Souzao. Red wines amount to half of the production (50%) followed by fortified wines (37%), with 10% white wines and 3% Rosé.
The next wine I tasted was entirely different, a White Moscato made in Natural Sweet Perlé style. Perlé usually refers to a lightly carbonated wine that is often pink in colour (after the German grape of the same name). The Moscato was all that I expected: vibrant in character with floral and perfumed jasmine, Turkish delight, rose petal and grapey Muscat de Frontignan aromas and flavours; sweet on the palate with medium- acidity and low alcohol (7.5%). This was a pleasant, easy-drinking wine and perfect for a summer’s day like today. The wine was great value for money too at just R58.
As indicated above, I had tasted the Tritonia before. De Krans call it a Calitzdorp blend (as opposed to a Cape or Bordeaux Blend) as it is made from 5 Portuguese varieties: Touriga National, Tinta Barocca, Tinta Roriz, Tinta Amarella and Souzao. These are typically used to make Port and Cape Port but these cultivars are increasing being made into table wines, even single cultivar wines. The Tritonia was deep garnet in colour with early signs of ageing at the rim (2016 vintage). Blackberry, cassis, plum, dark cherry black fruits were luscious and ripe with spices on the nose and palate. Dusty tannins – benefiting from 12 months maturation in 2nd/3rd fill French oak barrels – and high alcohol (14.0%) gave the wine a full body in the mouth with layers of flavour for an extended length at the finish.
I sampled one Port in my tasting selection, the Cape Vintage Reserve. Sediment at the bottom of the glass showed this was unfiltered. The nose showed intense dried black fruits and the oxidation. This was confirmed on the palate with rich flavours of black plums, prunes, hazelnut and Dundee marmalade matured over 20 months in large vats. The Cape Port warmed by its 19.0% alcohol to give a medium sweetness of character.
The Tasting Room Manager, Chris, asked me to taste the Pinotage Rosé that was of 2019 vintage. The wine was a very pale pink to show very little extraction with mostly strawberry and raspberry fruits on the nose. Dry acidity came to the fore on the palate to overpower the delicate fruits. The crisp mouthfeel was too sharp and biting for my preference.
A visit to Calitzdorp and to sample the Wines of Origin from the Klein Karoo and Calitzdorp was long overdue. De Krans offered me an insight to how dry the region is and the challenge to balance vine growth and crop and the need for excellent water management. The range of De Krans wines was impressive to reflect a willingness to experiment and try new styles, notwithstanding the accidental history behind the first Portuguese grape planting. The wines were generally very good with a broad price range that reflected in their quality. I would have liked then to have been served cooler and at the right temperature. This is never easy for Tasting Rooms at intense peak visitor periods and so I am willing to set this imperfection aside and award a 4/5 experience rating. In sum, do visit De Krans if you are near Calitzdorp. Better still, venture down Route 62 and make a night stop of it.
Wines tasted (bought *):
2019 White Moscato Natural Sweet Perlé – R58*
2017 Tritonia White (Malvasia Rei, Verdelho) – R150* FAVOURITE WINE
2019 Free Run Unwooded Chenin Blanc – R58
2019 Pinotage Rosé – R58
2016 Garden Route Pinot Noir – R120 (reduced to R80)
2018 Tinta Roriz – R90
2017 Touriga Nacional – R100
2016 Tritonia Calitzdorp Blend (Touriga National, Tinta Barocca, Tinta Roriz, Tinta Amarella, Souzao) – R185
2016 Cape Vintage Reserve (87% Touriga National, 13% Tinta Barocca) – R295
HAZENDAL WINE ESTATE
Saturday 29 June 2019
Dr Peter Rating – Experience: 4.5/5
Dr Peter Rating – Wines: 4/5
Call me silly but somehow I get Hazendal and Hartenberg muddled up. I have tasted their wines at festivals and award evenings but never visited either estate. Both wineries are on the Bottleray Road to the North West of Stellenbosch together with Mooiplaas, Kaapzicht, Groenland, Bellevue, Goede Hoop, Fort Simon and many more, some not open to the public without appointment. The mystery deepens for Hazendal as the 2019 Platter’s Wine Guide does not list or rate any wine for the winery as it was recently closed for extensive renovation. My tasting plan for today was to visit both wine estates, with Fort Simon between, to put my confusion to rest.
The approach to the Bottleray Road wine region from Cape Town is through dwindling, untidy suburbs so it is always a pleasure to reach the undulating winelands with their gentle slopes. Hazendal is the first estate reached from Brackenfell. Security at the entrance gate was extra tight – my UK driving licence being barely adequate – but I successfully gained entry. I had not been before so I had no idea what to expect and so I was pleasantly surprised when the tree-lined approach, with young vines and olives beside, crossed a small brook to a large grassed area surrounded by impressive historic Cape Dutch buildings with their whitewash walls, characteristic gables and thatch roofs. My eye was immediately drawn to the Jonkerhuis after parking at the rear. Built in 1781, it is believed that the building was constructed by Joost van As who was the son of Willem van As who bought the farm in 1729 and who was responsible for introducing the Cape Dutch style of architecture to Hazendal.
The Jonkerhuis housed slaves after the Homestead was built in 1790 but is now home to the Marvol Gallery. I now realised why there was the heavy security on entry when I saw the armed guard at the entrance with chest GoPro looking like a member of an American SWAT tactical team (photographs strictly not allowed). The Gallery houses works of Russian and South African art from owner Dr Voloshin’s private collection, who bought Hazendal in 1994. The rotating collection contained a display of modern-day Fabergé eggs. Made for Tsar Alexander III in 1885 for his wife, the eggs became symbols of splendour, power and wealth of the Romanov Dynasty and the Russian Empire. Production ceased after the 1918 Bolshevik Revolution when the factory was nationalised and the Fabergé family fled Russia. The trademark has since changed hands many times with most of the impressive, gilt and detailed eggs with inlaid previous and semi-precious stones at Hazendal, including 1 of only 2 ‘Mandela’ eggs, made under licence by the Victor Mayer jewellery company. The collection was impressive – as well as celebrating the history, relationship and art between Russia and South Africa – and well worth seeing if you visit Hazendal. As if to remind, the sign outside leading me to the Tasting Building had directions in Cyrillic as well as Roman lettering.
The Tasting Room and adjoining Avant-Garde Restaurant were equally impressive. Tall ceilings and modern décor bring a contemporary and rich touch to contrast the historic building. A number of diners were enjoying an extravagant Russian tea ‘brunch’ in the plush dining room, with large, exotic marine fish tank and bar at one end and the cellar with stainless steel tanks worthy of an art installation itself visible through glass panelling to the side. The Tasting Lounge, aptly housed in the original 1870 wine cellar, was grandiose and luxuriant as if for a Tsar with its signature shiny black, gold and copper coloured theme reminiscent of a Russian Orthodox Christian icon painting, babushka doll, or even the Fabergé eggs themselves. Tastings are either in the open lounge with welcome winter open log fire or around a bar beneath a cleverly designed mezzanine private room above. I chose to taste at the bar though the raised bar stools were not the most comfortable. Brent was my eager, polite and attentive host who remembered me from my tasting visit to Ken Forrester more than 2 years ago.
Tasting options include the 3 wines of the Christoffel Hazenwinkel Range (R35), 3 wines from the premium Hazendal Range (R65), or both (R90). I was fortunate to be able to sample the wines from across both ranges together with the Scarlet Sails MCC, usually not for tasting. The grapes are planted on 13 hectares of the 145 hectare property and include a wide range of common and less common cultivars (Carignan, Carménère, Albarinho, Marsanne and Roussanne being the less widely planted varieties) to suit the varied granite-based, red, yellow and brown soils amid the terroir at 150 metres to 400 metres above sea level. Besides being the most popular novel by the Russian author Grin, Scarlet Sails is a spectacular firework celebration during the White Nights Festival in St Petersburg, Russia. This is reflected in the elegant wine label with ship made with gold, bronze and copper coloured sails.
The very pale blush coloured MCC is aged for longer on the lees than most in South Africa (48 months for the 2015 vintage, 58 months for the 2014 vintage) to give distinct yeasty brioche notes on the nose. It was good to sample and compare both vintages. I rated them equally though they were not the same. The grapey nose, smooth moussante mouthfeel and fresh green apple and citrus flavours were similar. The 2014 vintage, containing 10% more Pinot Noir, was more subtle and elegant with a fuller body greater depth and length. The younger, 2013 wine showed a lighter but sweeter character with good acidity and grip on the palate.
The Christoffel Hazenwinkel Range includes easy drinking wines with the name being a tribute to the farm’s first owner who changed production from grain and cattle to vines to make Hazendal one of the first independent winemakers in the region. He was also a German settler and messenger to Governor Willem Adriaan van der Stel who granted him 60 hectares of land. South African white blends are usually a nod to white Bordeaux wines and made from Sauvignon Blanc with added Sémillon for extra body, moderated acidity, complexity and softer texture. The White Blend was thus unusual in being a mix of 4 common white cultivars – the Cremello at Cavalli and Laurens Campher White Blend at Muratie excepted – in broadly similar overall proportion. The wine benefitted with a fresh and complex nose of honeyed, floral and herbaceous apple and citrus aromas. The apparent sweetness of aroma hid a dry wine on the palate that was more rounded and with more body than a Sauvignon Blanc.
Hazendal translates from Dutch to mean ‘the valley of the hares’ and the painting of a hare in Regency styled clothing features on the wrap around labels of the Hazenwinkel wines. The Blanc de Noir made from Shiraz was medium pink in colour, much deeper than many a Rosé, from 6 hours skin contact before pressing. I was again fortunate to be able to taste from 2 vintages of this popular wine. The 2018 vintage showed a good intensity of raspberry and wild strawberry aromas – avoiding the temptation for customary sweet candy notes – and was better for it. This helped for a dry, clean, refreshing wine with good acidity and average length. I preferred, just, the older 2017 wine due to its more honey, perfumed and subtler aromas.
My favourite wine was the Bordeaux-styled Sémillon/Sauvignon Blanc that, again unusual for the style, was mostly Sémillon (67%). The wine, like those in the Hazendal Range, came in distinct Italian-imported, prosecco-shaped bottle. Why do anything the same as elsewhere? I liked the layered nose of guava, preach, nectarine and pear notes that overlaid those of more herbaceous and grassy green pepper. This made for an interesting wine with vanilla, oaked flavours (9 months in French and Hungarian 500 litre barrels) that emerged with extra complexity on the palate to give a rounding and balance.
The bush vine Chenin Blanc could only have been a Chenin Blanc due to its distinct white honey, tropical fruit salad, guava, litchi and vanilla aromas. These followed through to a flavoursome palate in which fruit, acidity and sweetness balanced. Oak flavours again come to the fore on the palate but freshness was retained by blending back 30% from stainless steel tanks. The same vinification and oaking techniques were used for the Chardonnay, the final white wine and penultimate wine of the tasting. Green and yellow apple aromas mingled with distinct vanilla and acacia (Hungarian oak) notes for a fresh and floral nose. The wine was youthful and fresh on the palate with a subtle oaking to show off the fruit flavours. This is an excellent wine for those of the ABC (Anything But Chardonnay) movement or for those who do not enjoy the more traditional or heavier oaked Chardonnay.
The sole red wine of the tasting (Hazendal has plans to produce more red wines) was the Red Blend from the Christoffel Hazenwinkel Range served with hare’s ear-shaped palate cleanser. This was another unusual blend. Besides being a less common Cape Blend (a Bordeaux-styled wine containing Pinotage) the Red Blend contained Pinot Noir. The wine was just full bodied and most likely less filtered than the white wines due to its slight opacity. Spiciness from each of the cultivars made for another interesting wine with the Pinotage contributing sweet banana notes to those of dark plum, red cherry, cinnamon and white pepper. Additional spiciness on the palate balanced the fruit flavours and fine, integrated tannins with a good finish for a well-priced red blend.
Hazendal, much like Cavalli, Waterford and Waterkloof, is a statement wine estate. Not only is there a signature restaurant but also other activities to tempt the wine drinker and family. There is the Marvol Gallery, Wonderdal children’s Edutainment Centre, family BMX Park, the Babushka Deli, Russian Tea experiences and Babushka picnics. The plus for Hazendal is that the quality of the wines has not suffered with owner and management attention being focused on the vinitourism activities as at Meerendal and Spier. The extensive restoration and redevelopment that was completed in 2018 cleverly combines 300 year old history and architecture with modern, contemporary living and adventure. New meets old but so too does South Africa meet Russia in seamless, integrated fashion. The avant-garde brand, even down to the unusual wine blends, wine labels and bottle shape, cleverly ties everything together to balance rather than clash. The Bacchus (Roman God of Wine) bronze logo, in use since 1831 to signify a commitment to produce fine, quality wines, is as relevant today as over the past 180 years. I thoroughly recommend a visit (noting winter closure of many activities until early August) and especially if you prefer white wines. Hazendal will embrace you whether Capetonian or from Stellenbosch, Franschhoek or the Wine Lands, or the rest of South Africa or visitor from overseas. Make a trip to the valley of the hares …
Wines tasted (bought *):
2015 Scarlet Sails MCC (54% Pinot Noir, 46% Chardonnay) – R360
2014 Scarlet Sails MCC (64% Pinot Noir, 36% Chardonnay) – R360
2018 Christoffel Hazenwinkel White Blend (34% Chenin Blanc, 29% Sémillon, 25% Sauvignon Blanc, 12% Chardonnay) – R120
2017 Hazendal Sémillon/Sauvignon Blanc (67% Sémillon, 33% Sauvignon Blanc) – R295 FAVOURITE WINE
2017 Hazendal Chenin Blanc – R285
2017 Hazendal Chardonnay – R285
2018 Christoffel Hazenwinkel Blanc de Noir (100% Shiraz) – R120
2017 Christoffel Hazenwinkel Blanc de Noir (100% Shiraz) – R120
2017 Christoffel Hazenwinkel Red Blend (59% Shiraz, 26% Pinotage, 15% Pinot Noir) – R120